View full scanned book (amazing!!) here:
Heavy duty seating from upcycled tires and M100 chair by Matias Ruiz Malbran. Maya chair by Arya Alfieri.
“I’m a builder, a fixer, and a do-it-myselfer. My favorite things in life are big tools, old wood, good pasta, and finding great materials in a dumpster. I grew up in California, and blindly moved to New York seven years ago when I was accepted into art school for sculpture. I instantly fell in love with the grungy part of Brooklyn, and within a month, we had moved into Bedstuy. I have lived in the same apartment for five years now, which has given me plenty of time to slowly “fix” a few things around the house: de-carpet stairways, tile in kitchen… you name it!” - Ariele Alasko
Chairs constructed without using nails, screws and glue.
Water tower redesigned into a house. Via Treehugger:
“Miracle on the Mountain” by Clarence Schmidt. Clarence Schmidt was locally and nationally renowned outsider artist - an iconic pioneer of monumental environmental sculpture. His ongoing life’s work, the “Miracle on the Mountain,” was constructed of found objects and recycled materials between the years 1940-1972, which evolved on the back slope of Ohayo Mountain, in Woodstock NY.
In 2009, Grimes (Canadian singer-songwriter Claire Boucher) and her then-boyfriend from Tennessee constructed a 20-foot houseboat, named the “Velvet Glove Cast in Iron,” with the intention to sail it down the Mississippi River from Minneapolis to New Orleans. The cargo included chickens, a typewriter, 20 pounds of potatoes and a gifted copy of Mark Twain’s The Adventures of Huckleberry Finn.
Due to engine trouble and subsequent harassment from the Minnesota police, the journey was cut short and the houseboat and chickens were impounded. Above: Grimes.
Mississippi house boat.
Handwoven in Brooklyn from found and reclaimed fabric.
Moroccan rag rugs
Re-Love is a project by MAEZM.“Most clothes and chairs used in the past were collected by the artists and other relevant parties. It was designed based on a new method using objects in which memories remain and original function gone. The discarded chair once again becomes a comfortable sofa with clothes on top. Clothes are what enable the chair to play its part. This is also understood as one’s own past. As clothes are tangled, memories can be tied up to create a new love. To love the things again means to add another function to them. To love the things again means to add another function to them”
“To love the things again here needs be distinguished from recycling. Though the old and ragged chair in my room will gradually lose a great deal of its original function, it will hold prevalent value over other new ones through the time and space shared with me. This chair may carry an image of myself on it, stretching leg to the floor, or elaborately cherish a reminiscence of a time when I conversed with someone.
Sharing of such time and memory is also a matter of intimacy between me and the thing. However, regrettably enough, we repeatedly replace the thing for a new ‘goods’ unconsciously in pursuit of the ‘function’ it provides. The relationship between a thing and people should be understood as an expression of
‘self love’ on oneself as a result rather than personifying a thing. The intention is that the act of loving a thing again is engraved as love of one self about the time and space, and such love be proposed as methodology through ‘RE_LOVE’ “
Broom corn grown on Old Field Farm in the Hudson River Valley, made into hand brooms.
Handmade by Christin Ripley for Christin Ripley.
Ah! This looks so comfortable!
Reclaimed shipping pallet chair.