Image above: http://www.bloom-magazine.eu
Place flower between 2 sheets of paper to protect the pages of the book. Leave at least 1/8” of pages between pressings, weigh the book down and wait a couple of weeks.
Above: Tree says hi.
Photos by Israel based photographer Ella Sverdlovmore →
“Desire to Disappear” is a film by Minnesota based artist Alec Soth. Alec Soth traveled across America looking for people who’ve retreated from society. Below are some of Alec’s photographs and quotes from his film.
“This is Alec Soth. So I am a photographer and the project I am doing deals with the subject of retreating from the world. That can involve everything from hermits to monks.”
“I think it is something in the culture right now and is, in some ways, preparation for the decline of the American empire.”
“A part of it is a fantasy of having retreat”
“It is not really about running away. It is about the desire to run away.”
Tonatiuh Ambrosetti has been making these stunning photographs of glaciers melting in his home country of Switzerland.
Great blog from Vancouver, BC - http://www.old-chum.com/
When I was little I loved jumping on puddles after rain.
Beautiful photographs by The Rivers Closet
I do not remember where I found this photograph or artist
but I think this photo is really funny. Ha-ha
“A picture of a house is taken before its demolition. A sofa is built from the building rubble of the house. The sofa is a portrait of the house in design and colours. The framed photo is hanging above the sofa” - Michael Sailstorfer
Lawrence Beck is a New York based artist who explores controlled and unbound nature. Beck takes photographs plants in national forests, city parks and botanic gardens. He celebrates the beauty of plants while undercutting this ’natural’ elegance by revealing its manufacturedness.
Gulf of Mexico oil spill from space
Patterns in waste ash at coal- fired electrical generation station, Moncks Corner, SC
Aerial view of bauxite waste
Removal of Overburden from Blasting Kayford Mountain, West Virginia
Photographs by J Henry Fair
Photographs by Helena Kvarnstrom
Above: From series titled “Deserted States of America”
Photographs by Rob Hann. From “The Plant that Ate The South” project.
“Anyone familiar with the American South will know that throughout the summer months large parts of the countryside are swathed in a green leafy plant that will cover anything in its path. It smothers abandoned buildings and drapes over trees, large and small, giving the landscape a magical, dreamlike quality.” - Rob Hann
Kudzu is a plant native to Souther Japan. Kudzu was introduced from Japan into the United States in 1876 and is now common throughout most of the southeastern United States. Kudzu has been spreading at the rate of 150,000 acres annually and is considered invasive species.
Vanished Forest by Bo Yang Zang.
Fog and Ice, Jokulsarlon Lagoon, Iceland, September 2006 BUY
Icebergs, Jokulsarlon Lagoon, Iceland, September 2006 BUY
Stanislav Ginzburg recently launched SG Print Shoppe - a place to buy beautiful nature photography from all over the world while benefiting iconic North American wildlife (A ten percent donation from each sale will be made towards creating American Prairie Reserve in northeastern Montana. This future three-million acre wildlife sanctuary will provide an uninterrupted area that will harbor more than 90 species of mammals, 300 birds and over 1,500 kinds of plants. For the first time in a hundred years it will restore migratory routes for pronghorn antelope, grazing fields for bison and will reintroduce entire colonies of prairie dogs and foxes back into their native habitat. )
This is truly the best present for holidays!
Read more about American Prairie Reserve:
Mycetozoa (still life with porcelain #4), from Hidden Place series. Inspired by Ernst Haeckel’s botanic illustrations, 3D rendering and photography.
Portrait of Ernst Haeckel.
Mycetozoa drawings by Ernst Haeckel.
Untitled (still life with porcelain #2), from Hidden Place series, 3D rendering and photography..
Untitled (still life with porcelain #3), 3D rendering and photography.
3D renderings of various creatures….
Above is an installation piece with secret silent film/animation hiding within. Inside is a 3D animation on loop based on folktale about two women finding shelter under a whale skull amid the frozen landscape:
Animation below is based on folktale about the origins of snow. Ancient whale left the ocean to die on land.
Air and wind withered away his body until all left was a colossal heart. It wasn’t too long before it too gave away. When it burst open millions of white particles escaped and fell all over the ground.
What a beautiful story about the origins of snow!!
Stanislav Ginzburg is a Brooklyn based artist originally from Orenburg, Russia. A lot of Stanislav’s artwork is inspired by folktales that deal with nature, strange species, microcosmic organisms, as well as animals which could have been living on earth or not.
Jerko is an environmental cleanup movement with head-quarters in Gowanus Canal DIY slavaged, solar powered, rainwater harvesting house boat. Jerko the Gowanus Water Vacuum house boat floats up and down the Gowanus Canal, cleaning water through biological filtration. (Gowanus Canal is one of the most polluted waterways in New York City, if not the world)
Read about Jerko the Gowanus Water Vacuum on Half Nomad:
Photographs of Jerko the Gowanus Water Vacuum were discovered on beautiful blog by photographer Elizabeth Weinberg:
Golden leaves and trees full of house sparrows in Prospect Park, Brooklyn.
The Shepherds Way - photography series by Dima Gomberg
Oak Tree, Spring
2010, C-print, 24 x 36”, edition of 5
Oak Tree, Winter
2010, C-print, 24 x 36”, edition of 5
Sealed and Buried For All Time
2010, C-print, 30 x 40”, edition of 5
Striking photographs by Joshua Citarella.
This mug by lenni08 reminds me of where I grew up. There are many birch trees in Russia — it’s considered the national tree.
This necklace made of birch bark by bettula is inspired by the discarded and unusual. You don’t have to think very hard to figure out which tree is my favorite.
When I was growing up, people in Russia did not have a lot of money to buy new wares, so they made belongings out of other objects. To this day I think it is pretty cool to see objects and materials being reused, like this rotating bike wheel pot rack by plaidclad
These beautiful and valuable bits and pieces almost disappeared into the garbage pile forever! Get inspired to recycle by the digit recycled leather necklace by mainichi and shift key typewriter vintage pendant necklace by PreciousPastimes.
This neglected dresser was salvaged and restored by rubyrhino1 and made into a vintage masterpiece. It reminds me of our summer dacha in Russia.
Read full Design Squish guest Curator post on Etsy:
There are always many fireflies in Upstate New York and New Jersey during summer.
I always try to photograph fireflies but photos never come out as good as these.
And the wind, full of wantonness,
wooes like lover
The young aspen-trees till they
tremble all over.
- Thomas Moore (From Trees of America)
Wild blackberries and red salmon berries gathered in Upstate New York, Harriman State Park. I never had salmon berries before. They are so delicious! Almost as good as or better than raspberries.
Photos taken in Harriman State Park, NY + motylek (small butterfly)
“Biopsy” photograph series by Yedda Morrison
This work takes as its starting point the human desire for permanence, a desire made acute by the inevitability of our passing. If photography itself is a manifestation of this desire, our attempt to arrest or “still life,” plastic plants and flowers are a low-rent corollary. Suspended mid bloom and scattered throughout graveyards and empty parlors, they offer the promise of perennial youth, an eternal flowering, life ever after. Fake flowers both immortalize and render static the natural world. As such, they articulate a crisis between beauty and horror, desire and loss, artificiality and “the natural.” In our fall from the “pre” or “no” time of Eden, we have landed squarely in the artificial garden, the stilled remains of paradise. These sights of frozen or no time and the scale, duration and technology that make them possible, work to articulate a world where boundaries between the real and the artificial are increasingly blurred. If, in our contemporary moment, we are experiencing a gradual substitution of the machine for the body/mind, the image for the thing, and the simulation of the environment for the environment itself, then perhaps we are realizing Robert Smithson’s “frozen actuality,” the hallucinatory disjunction where “nothing is known but the impenetrable surfaces,” where “the artificial ingenuity of time allows no return to nature.”