Nimbus II by Berndnaut Smilde. Berndnaut Smilde creates clouds using a smoke machine, combined with indoor moisture and dramatic lighting to create an indoor cloud effect.
Chairs constructed without using nails, screws and glue.
Buttons from top to bottom: water lily, lily of the valley, first flowers, chamomile, bluebells, thistle, cornflower, russel muhroom, oak, blackberry, red under aspen mushroom.
Crate Chairs by Brooklyn based design studio Autumn Workshop started by Daniel Goers. These chairs are made entirely from re-purposed hologram storage crates. / “No extra wood was used in the fabrication of these chairs. The original crates were cut down, and the cut-offs were recycled back into the structure. The design uses the printed graphics to inform the user how to interact with the storage components of the furniture” /
Thia soft and delicate Autumn Willow Branch necklace is made from salvaged reclaimed leather.
Water tower redesigned into a house. Via Treehugger:
Palisade Head is an immersive 65 x 74-inch print by Minneapolis-based artist Scott Nedrelow. “It’s more like a an actual-size map, but it’s not a useful map — it doesn’t show a large area like satellite maps or blow up a view that could be examined at more of a “honey, I shrunk the kids” level of fascination. it’s just a segment of ground presented actual size on a wall, something that can be ordinarily observed. so there’s a deadpan poetic element, it becomes significant because it doesn’t show anything that can’t already be easily seen”
“Miracle on the Mountain” by Clarence Schmidt. Clarence Schmidt was locally and nationally renowned outsider artist - an iconic pioneer of monumental environmental sculpture. His ongoing life’s work, the “Miracle on the Mountain,” was constructed of found objects and recycled materials between the years 1940-1972, which evolved on the back slope of Ohayo Mountain, in Woodstock NY.
In 2009, Grimes (Canadian singer-songwriter Claire Boucher) and her then-boyfriend from Tennessee constructed a 20-foot houseboat, named the “Velvet Glove Cast in Iron,” with the intention to sail it down the Mississippi River from Minneapolis to New Orleans. The cargo included chickens, a typewriter, 20 pounds of potatoes and a gifted copy of Mark Twain’s The Adventures of Huckleberry Finn.
Due to engine trouble and subsequent harassment from the Minnesota police, the journey was cut short and the houseboat and chickens were impounded. Above: Grimes.
Mississippi house boat.
Green Silver-lines Moth, planthopper and Emerald Moth.
Reclaimed paper coffee cup notebooks by Christin Ripley
Above: Musicians at Port Townsend Farmers Market.
Above: Salmonberry is a species of Rubus native to the west coast of North America from west central Alaska to California. Salmonberries are found in moist forests and stream margins, especially in the coastal forests. They often form large thickets, and thrive in the open spaces under stands of Red Alder. Salmonberries are edible and share the fruit structure of the raspberry, with the fruit pulling away from its receptacle.
Above: Blueberries and huckleberries picked in Upstate New York.
Brush Factory started in Brighton, an historic industrial district of Cincinnati. It has been home to artists, artisans, designers, and others for many years. Brighton is filled with handsome old brick multi-story buildings steeped in history. This history and unique setting inspires and infuses everything we do. Brush Factory brand places value on things like little material waste, a balance between innovation and tradition and above all, creating a product that has a unique personality built to last. We are committed to excellence in craft, quality, workmanship and design. Rosie Kovacs, fashion designer, stylist and purist at heart, believes that living a simple life doesn’t have to be dull. A Cincinnati native, she chose to start her clothing label after attending the University of Cincinnati’s DAAP School of Design. Residing in Cincinnati allows her to spread out, giving her the room and means to make her own products in house as well as collaborate with partner and fellow designer, Hayes Shanesy.
“Employing a combination of natural and industrial materials, my interest lies in articulating humankind’s desire to take command over the earth, revealing distinct conflicts with ecology, politics and ourselves in large-scale installations that utilize architectural space in a distinct, powerful and imposing manner”
Seashell necklace made from seashells found on the shores of Florida. Holes in seashells are naturally carved by predatory Moon Snail.
Handwoven in Brooklyn from found and reclaimed fabric.