Volvox, Rainmond Lamp by Moooi, phytoplankton, Tekio lamp by Anthony Dickens, street lights, amoeba.
Sea Chair is made entirely from plastic waste collected from the ocean.
Uto Chair by Axel Einar Hjorth + African Style Chairs.
“I’m a builder, a fixer, and a do-it-myselfer. My favorite things in life are big tools, old wood, good pasta, and finding great materials in a dumpster. I grew up in California, and blindly moved to New York seven years ago when I was accepted into art school for sculpture. I instantly fell in love with the grungy part of Brooklyn, and within a month, we had moved into Bedstuy. I have lived in the same apartment for five years now, which has given me plenty of time to slowly “fix” a few things around the house: de-carpet stairways, tile in kitchen… you name it!” - Ariele Alasko
Rue de Meaux Housing is a low income social housing project. “Architect Renzo Piano teamed up with Desvigne and Dalnoky to design an amazing courtyard space for their project in Paris. A modular architectural design establishes a background for the small forest of birch trees. The thin birch canopy creates a diaphanous lighting condition while still obstructing views across the courtyard, thereby providing the inhabitants access to both privacy and light.” - http://ayounghare.wordpress.com
Mt. Hood Oregon 1942
Handmade in Brooklyn reclaimed fabric cloud pillow. On ETSY
Crate Chairs by Brooklyn based design studio Autumn Workshop started by Daniel Goers. These chairs are made entirely from re-purposed hologram storage crates. / “No extra wood was used in the fabrication of these chairs. The original crates were cut down, and the cut-offs were recycled back into the structure. The design uses the printed graphics to inform the user how to interact with the storage components of the furniture” /
Thia soft and delicate Autumn Willow Branch necklace is made from salvaged reclaimed leather.
Reclaimed paper coffee cup notebooks by Christin Ripley
Brush Factory started in Brighton, an historic industrial district of Cincinnati. It has been home to artists, artisans, designers, and others for many years. Brighton is filled with handsome old brick multi-story buildings steeped in history. This history and unique setting inspires and infuses everything we do. Brush Factory brand places value on things like little material waste, a balance between innovation and tradition and above all, creating a product that has a unique personality built to last. We are committed to excellence in craft, quality, workmanship and design. Rosie Kovacs, fashion designer, stylist and purist at heart, believes that living a simple life doesn’t have to be dull. A Cincinnati native, she chose to start her clothing label after attending the University of Cincinnati’s DAAP School of Design. Residing in Cincinnati allows her to spread out, giving her the room and means to make her own products in house as well as collaborate with partner and fellow designer, Hayes Shanesy.
The Cod Collection from Kria is a study of the fish which has sustained Icelandic culture for centuries and focuses on extracting details to imagine objects of ritualization.
Poster by Federal Art Project, W.P.A, Ohio , US 1938. (Ohio is a buckeye state) Image found in The Library of Congress Photostream
T-shirt chair by Maria Westerberg. Unique upholstery is created by weaving old t-shirts and textiles through chair structure.
Re-Love is a project by MAEZM.“Most clothes and chairs used in the past were collected by the artists and other relevant parties. It was designed based on a new method using objects in which memories remain and original function gone. The discarded chair once again becomes a comfortable sofa with clothes on top. Clothes are what enable the chair to play its part. This is also understood as one’s own past. As clothes are tangled, memories can be tied up to create a new love. To love the things again means to add another function to them. To love the things again means to add another function to them”
“To love the things again here needs be distinguished from recycling. Though the old and ragged chair in my room will gradually lose a great deal of its original function, it will hold prevalent value over other new ones through the time and space shared with me. This chair may carry an image of myself on it, stretching leg to the floor, or elaborately cherish a reminiscence of a time when I conversed with someone.
Sharing of such time and memory is also a matter of intimacy between me and the thing. However, regrettably enough, we repeatedly replace the thing for a new ‘goods’ unconsciously in pursuit of the ‘function’ it provides. The relationship between a thing and people should be understood as an expression of
‘self love’ on oneself as a result rather than personifying a thing. The intention is that the act of loving a thing again is engraved as love of one self about the time and space, and such love be proposed as methodology through ‘RE_LOVE’ “
Pipe lamp by Daniella Witte: http://nordicdesign.ca/blog/2012/04/daniella-wittes-copper/